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Pavel Zemek (by proper name Pavel Novak) studied the oboe and composition at the Brno Conservatory of Music (1971-77), then he continued his studies with Miloslav Istvan at the Janacek Academy of Music (JAMU, graduated in 1988), and later completed his education on a scholarship in London (1992-3, with G. Benjamin), and in Paris (1997-8, with G. Grisey). He was employed as a first oboist of the orchestra at Janacek's Theatre in Brno. Nowadays he is on the staff of the Brno Conservatory as well as the Janacek Academy of Music, where he teaches composition as a major subject.
He wrote a lot of chamber and orchestral instrumental works for various combination, but his most characteristic works are those exploring the monophonic method of composing. His new compositional method resulted in writing many remarkable soloistic compositions for various instruments ((to be played in unison). A touch of Christian spirituality remains one of most conspicuous characteristics of most of his works, although they are largely conceived as standard concert pieces. Nevertheles, some of his works were composed since the very beginning with the medieval cathedral acoustics in mind. He received for one of his most contemplative and spiritual work the L. Janacek Prize (Passion after St. John, 1990-1997). On the occasion of Pavel Zemek's 50th birthday there had been performed his compositions Marian Variations and 24 Preludes and Fugues by The Schubert Ensemble and William Howard /piano/ (at the concerts on November 15, and on December 5th, 2007 in London). In August 2009 William Howard made the complete recording of his 24 Preludes and Fugues for piano (at the Champs Hill Studio, Sussex, U.K.). The first perfomance of his composition Trio No 2 - Unison I - XXI 'Seven Christ's Words on the Cross' took place at the Prague Festival of Contemporary Music Contempuls 2011.
(https://www.musica.cz/en/composers/show?itemId=174)
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