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André Ernest Modeste Grétry (February 8, 1741 – September 24, 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his opéras comiques.
He was born at Liège, his father being a poor musician. He was a choir-boy at the church of Saint-Denis.
Grétry wearing his medal from the Légion d'honneurIn 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicated to the canons of the Liège Cathedral, and it was at the cost of Canon Hurley that he went to Italy in March 1759. In Rome he went to the Collège de Liège. Here Grétry resided for five years, studiously employed in completing his musical education under Giovanni Battista Casali. His proficiency in harmony and counterpoint was, however, according to his own confession, at all times very moderate.
His first great success was achieved by La vendemmiatrice, an Italian intermezzo or operetta, composed for the Aliberti theatre in Rome and received with universal applause. There for two years he had to contend with the difficulties incident to poverty and obscurity. He was, however, not without friends, and by the intercession of Count Gustaf Philip Creutz, the Swedish ambassador, Grétry obtained a libretto from Jean-François Marmontel, which he set to music in less than six weeks, and which, on its performance in August 1768, met with unparalleled success. The name of the opera was Le Huron. Grétry was the first to write for the "tuba curva", an instrument that existed from Roman times as the cornu. He used the tuba curva in music that he composed for the funeral of Voltaire.
The composer himself was influenced by the great events he witnessed, and the titles of some of his operas, such as La rosière républicaine and La fête de la raison, sufficiently indicate the epoch to which they belong; but they are mere pièces de circonstance, and the republican enthusiasm displayed is not genuine. Little more successful was Grétry in his dealings with classical subjects. His genuine power lay in the delineation of character and in the expression of tender and typically French sentiment The structure of his concerted pieces on the other hand is frequently flimsy, and his instrumentation so feeble that the orchestral parts of some of his works had to be rewritten by other composers, in order to make them acceptable to modern audiences.During the Revolution Grétry lost much of his property, but the successive governments of France vied in favouring the composer, regardless of political differences. From the old court he received distinctions and rewards of all kinds; the republic made him an inspector of the conservatoire; Napoleon granted him the cross of the legion of honour and a pension.
Grétry took students in opera composition, including his daughter Lucile and Caroline Wuiet. He died at the Hermitage in Montmorency, formerly the house of Rousseau. |