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First name: Kenneth
Last name: Hesketh
Dates: 1968
Category: Quartet
Nationality: British
Opus name: Die hangende Figur ist Judas
Publisher: Schott
Peculiarities: https://britishmusiccollection.org.uk/searchpage#adv-search-form-anchor
Information: Composer website: http://www.kennethhesketh.co.uk/ From Wikipedia, the free encyclopedia Kenneth Hesketh (born 20 July, 1968) is a British composer of contemporary classical music in numerous genres including opera, dance, orchestral, chamber, vocal and solo. He has also composed music for wind and brass bands as well as seasonal music for choir. Hesketh was born in Liverpool, and began composing whilst a chorister at Liverpool Anglican Cathedral, completing his first work for orchestra at the age of thirteen. He received his first formal commission at nineteen for the Royal Liverpool Philharmonic Orchestra under Sir Charles Groves. He studied at the Royal College of Music, London, with Edwin Roxburgh, Joseph Horovitz and Simon Bainbridge between 1987 and 1992 and attended Tanglewood in 1995 as the Leonard Bernstein Fellow where he studied with Henri Dutilleux. After completing a master's degree in Composition at the University of Michigan, Ann Arbor, USA, a series of awards followed: the Shakespeare Prize scholarship from the Toepfer Foundation, Hamburg at the behest of Sir Simon Rattle, an award from the Liverpool Foundation for Sport and the Arts, and on his return to London in 1999 Hesketh was awarded the Constant and Kit Lambert Fellowship at the Royal College of Music, with support from the Worshipful Company of Musicians. From 2003 to 2005 he was New Music Fellow at Kettle's Yard and Corpus Christi College, Cambridge where he curated a series of new music chamber concerts. The Fondation André Chevillion-Yvonne Bonnaud prize was awarded to Hesketh at the 2004 Concours International de Piano d'Orléans after a performance of his Three Japanese Miniatures by pianist Daniel Becker. In 2007, Hesketh took up the position of Composer in the House with the Royal Liverpool Philharmonic Orchestra for two years. The scheme, devised by the Royal Philharmonic Society in partnership with the PRS Foundation, was designed to allow composers the time and space to create new work, and to take their place at the heart of the orchestral community. Hesketh's tenure with the RLPO saw the creation of works for many of the instrumental groups within the Royal Liverpool Philharmonic Society, from the orchestra and contemporary music ensemble (Ensemble 10/10, with whom Hesketh already has a thriving relationship) to youth ensembles, chamber groups and choirs. He also took part in teaching and outreach projects in Liverpool and Manchester during the two years.